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“They did extraordinary things with music, but being women of color they had to fight triply hard,” said Moses said. I thought a pink background would be a total juxtaposition to her, and then I found out that pink was her favorite color.” Nina Simone, Moses said, “had her dark sides but really felt joy when she got up off the piano and started dancing. Hazel, Joyce, Lena - several of the women made movies too.” She played two pianos simultaneously and had an amazing voice. “So she literally took gardenias in a vase and just put them on to cover the burn.
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“Billie Holiday, when ironing her hair, accidentally burned it off,” Moses said. This wasn’t the music everyone was listening to at that particular moment, then it became what everyone was listening to. They had bottles thrown at them, and at the same time they were creating a form of music that was not always understood. “They literally put their necks on the line going on stage back then. “With each of these women there is an incredible story of pain, an incredible story of success and an incredible story of how they reinvented music, and then there is the beauty of this imagery,” Pucci added. At Pucci, there’s also a freedom to explore with design ideas, very much the same way. The jazz icons in ‘Voices’ took the idea right in front of them - the notes of the music - and brought it to areas that were unexpected. “Jazz is a form of music that’s obviously well studied and also a form of music that explores. “We feel there is a close correlation between our ideas at Pucci and jazz,” he said. His galleries in L.A., Miami and New York showcase home furnishings, lighting, fashion, art and mannequins, and each year Pucci stages a fundraiser for Jazz House Kids, a program providing music classes, mentoring and apprenticeships. “Jazz is played in all three of our galleries, all the time,” Pucci added. “She loves to paint women, and who has a better story than these jazz icons? “Rebecca wants to tell a story,” Pucci said. “Since the beginning of COVID-19, I’ve been shifting to realistic portraiture, but Ralph wanted more.” “It’s a coincidence that we both love jazz but Ralph had a big influence on me going this route,” Moses said. Moses and Pucci have previously collaborated on a few projects involving art and mannequins. They paved the way for other young women to pursue their dreams with conviction.” These women were individuals with unique musical styles, aesthetics and personal characteristics but they all made monumental strides towards overcoming intolerance and ignorance. Behind those iconic voices and legendary talents, their journeys were marked by painful struggles with racism, personal humiliation, stereotyping and social pressures. “These women are legends that changed the face of music and civil rights in the 20th century. Portrait of Joyce Bryant by Rebecca Moses. I wanted these women to not just be electrified by color and size, but also as if they were coming off the canvas.
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“The 3D technique was a new thing for me.
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“It was all done by trial and error,” Moses said. Moses paints on an easel under the skylight in her 1,200-square-foot Manhattan apartment/studio, and resourcefully used the flat surface of her marble kitchen countertop to apply the special 3D elements, otherwise they would have slid off the canvas. And the boldness of the color is a reflection of the depth and emotion conveyed in their music,” Moses said. “The size and the three-dimensional effects were important to me, because these women are larger than life and multidimensional. There’s leafing, rice paper and rhinestones applied to the surfaces, creating a raised, three-dimensional effect, and the backgrounds are painted in vivid solid colors. The portraits, each priced $25,000, are large, at 6 feet tall and 4 feet wide. The exhibit will be held at the Ralph Pucci International furniture and art gallery in Los Angeles, 1025 North McCadden Place, from Sept.